February 21, 2006

En defensa del diseño industrial

Transcribo un párrafo (en traducción inglesa) de las "Memorias musicales" de Camille Saint-Saëns, que no tiene desperdicio alguno:

"Modern peoples are not artistic. The Greeks were, and the Japanese were, before the European invasion. An artistic people is recognized by their ignorance of “objects of art,” for in such an environment art is everywhere. An artistic people no more dreams of creating art than a great nobleman of consciously exhibiting a distinguished manner. Distinction lies in his slightest mannerism without his being conscious of the fact. So, among artistic peoples, the most ordinary and humble objects have style. And this style, furthermore, is in perfect harmony with the purpose of the object. It is absolutely appropriate for that purpose in its proportions, in the purity of its lines, the elegance of its form, its perfection of execution, and, above all, in its meaning. When an outcry is raised against the ugliness and tawdriness of certain objects in this country, the answer is, “But see how cheap they are!” But style and conscience in work cost nothing. Feeling for art is, however, inherent in human nature. The weapons of primitive peoples are beautiful. The prehistoric hatchets of the Stone Age are perfect in their contours. There is, therefore, no question of creating a feeling for art in the people, but of awakening it".

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